Showing posts with label Holiday. Show all posts
Showing posts with label Holiday. Show all posts

Thursday, October 27, 2011

Film | Holiday (1938)


A few weeks ago I sat down for what I called a "Grantburn" double-feature. I have already written about the first film, Bringing Up Baby (which you can see here), and here we have the second... 1938's Holiday. And guess what?!? This is the 75th post on Blame Mame!

HOLIDAY (1938)



"If you had a million... 
which sister would you pick to spend it with?"

THE PLAYERS:
Cary Grant as Johnny Case
Katharine Hepburn as Linda Seton
Doris Nolan as Julia Seton
Lew Ayres as Ned Seton

THE STORY:
Engaged to wealthy Julia Seton (Doris Nolan), freethinker Johnny Case (Cary Grant) discovers that her family wants to remake him into their idea of the perfect son-in-law -- and he's beginning to consider compromising his values. But as he gets to know Julia's headstrong sister (Katharine Hepburn), he realizes he has more in common with her. [Netflix]


MY FAVORITE SCENE:
I thought the scene where Johnny first comes into the 'play room' to chat with Linda, was quite charming. The sparks between the lead characters jumped off the screen. I especially liked when Linda was explaining which toys belonged to which sibling and talks about how the giraffe looked like her... I actually thought they did resemble each other.


TIDBITS & TRIVIA:

Although Katharine Hepburn won praise for her portrayal as the repressed rich girl, she was overlooked more than once for the role of Linda Seton. When the play appeared on Broadway, Hepburn was the understudy for the role and when the original 1930 film was cast, she was overlooked in favor of Ann Harding. I also found it interesting that Katharine also used a scene from this film for her first screen test that won, that led to her first film role in A Bill of Divorcement. It seems she was destined to play this part at some point in her career.


OTHER THOUGHTS:
I thought the film was beautifully directed, as most George Cukor films are. I have never noticed how many of my favorite films were part of his long list of directed films. He really was a 'woman's director'. He brought out amazing performances from all of the women he worked with. I look forward to seeing his other collaborations with Hepburn (A Bill of Divorcement, Sylvia Scarlett, Adams Rib) because she was so likeable in this film. She was the actress I loved in The Philadelphia Story and not the grating women I saw in Suddenly, Last Summer. I will definitely be checking out those other films soon.

And I just couldn't do a review of a Cary Grant film without commenting on how wonderful an actor I think he was. He was so likeable and even though he was playing against type, he portrayed Johnny with a lot of heart.

There was also a magnificent supporting cast on this film. You had Edward Horton and Jean Dixon as The Potters, Johnny's long time friends who want him to go after his dreams and not the dreams of his fiance. I really felt their characters truly loved Johnny and wanted only the best for him. Their reactions when first walking into the engagement party were the best... especially when the butler took his dress shoe off along with the snow boot. 



OVERALL RATING:

Monday, October 10, 2011

Fashion | Gowns By Kalloch

One thing that stands out most to me when I watch studio era films are the costume designs. There were many influential designers from this period, some more popular then others. Fashion artist such as Edith Head and Adrian are very well known, but after watching 1938's Holiday and Bringing Up Baby I discovered a designer I hadn't yet discovered. The name next to the gowns billing? Columbia Studio's Robert Kalloch.

Designs for Holiday & Bringing Up Baby
Robert Kalloch was born in 1893 in New York City. He got his start designing gowns for New York's high-profile socialites and dancers for Lucille Ltd. He got his break in Hollywood in the early 1930's when he was hired by Harry Cohn to help improve the low-budget reputation of Columbia Pictures. 

Designs for Mrs Miniver & His Girl Friday

Robert Kalloch was one of the biggest trendsetters in Hollywood during the 1930's and 1940's. Stars such as Fay Wray and Greer Garson were lucky enough to have their sophisticated wardrobes designed by Kollach. 

Irene Dunne and Robert Kollach with designs from The Awful Truth

Simply credited with 'Gowns by Kalloch', many memorable films of that period were touched by this leader of fashion. Films such as His Girl Friday (1940), For Me and My Gal (1942), Mr. Smith Goes to Washington (1939) and The Awful Truth (1937) are just a few of the iconic films he worked on. His designs can even be seen uncredited in 1934's It Happened One Night and Twentieth Century.

Wedding gown from It Happened One Night
 
Kalloch also gets credit for helping shape the style of Look Magazine's "Best Dressed Girl In Hollywood" of 1940, Rita Hayworth. He was the first to specially design a wardrobe for Rita as her fame was rising. He worked with Rita on such films as The Lone Wolf Spy Hunt (1939), Angels Over Broadway (1940), The Lady In Question (1940), You'll Never Get Rich (1941) and Only Angels Have Wings (1939). 

Designs for Angels Over Broadway, You'll Never Get Rich, & Lone Wolf Spy Hunt

As you can see Robert Kalloch stayed quite busy in his short time in Hollywood.

Judy Garland and Mickey Rooney in designs from Babes On Broadway